Eugenia Rucker/ Art Educator
Artist's Statement













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I have been drawn to printmaking since I first entered the Art Annex at Auburn University nearly thirty years ago.  Though I was a Graphic Design major, I studied relief, intaglio and planographic printmaking.  The smell of the rooms, the inks and even the chemicals have a pleasant association for me today.

 

My professor was a well-known fine artist and printmaker, and a gentle, intelligent soul.  He sought to make us proficient in the processes, but allowed us total freedom in the images we chose.  I was immediately hooked, and aspire to hook my students in turn!

 




























I like the graphic contrast of simple black and white prints.  In "VooDoo" I was inspired by the German Expressionist printmaker Kathe Kollwitz.  I aspire to her level of skill.  She had a tragic life, and used her prints to express deeply felt emotions.   Like Kollwitz, I choose printmaking as my medium of choice, because of the ability to print multiple images.  She had great empathy for the poor, and desired a medium that many could appreciate.  I teach printmaking, because my students can achieve success with a variety of techniques, and with relatively few tools.  Since they are not allowed to use carving tools, I have explored other possibilities for them.  In doing so, I have enjoyed experimenting  with collographs, glue-line prints, and styrofoam printing plates.

 

 

 

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"Cole" Stryrafoam Print on Tissue

  

My favorite aspect of printing is how the medium lends itself to doing a series.  Whether by making a reduction print, or by rotating and repeating a smaller image to create a pattern, images  evolve during the process in a spontaneous manner.  Artistic decisions are being made at various points during the process, but the outcome is often surprising!

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"Mahogany" Glue Line and Oil Pastel

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"The All American" Lithograph




































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"VooDoo" Linoleum Cut Relief Print

 

 

In "Cole" I was inspired by a book on Chinese Ink Painting.  The artists attempt to capture the essence of their subject in very few strokes of the brush.  This is a concept I am exploring further with my painting and printmaking.  I am a minimalist due to my graphic design background.  I can still hear my professors saying "Less is more!" I love the physical process of printmaking.  I still feel anticipation when I first roll ink onto a newly cut block.  I am anxious to see if I have achieved the effect I intended.  I enjoy listening for the ink to reach the perfect degree of tackiness.  I still feel excited when I peel back  the corner of the paper to reveal the magic!

 

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Linoleum Cut Repeat with Watercolor

Through my classes at Georgia State, I have been reminded of the importance of my own artistic endeavors.  For years I have taught others, while remaining stagnant in my own self-expression.  It seemed a luxury, but I now view it as essential to my teaching career and my happiness.

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"Bruce" Lithograph